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In his series, “Sculpting Motion In Photography,” David Goodman puts a postmodern spin on the classic nude.  Using long exposures with mixed lighting he achieves vibrant color and creates all of the effects in camera at the moment the shutter is released.

He captures the tension between the sculptural identity of the subject and its dimensions in motion.  He is literally sculpting movement.

Created on film in the pre-digital world, all effects were created in camera by mixing tungsten hot lights, studio strobes, long exposures, and by following the subject in motion with a moving camera.